A+T Microphone Info

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jstenner
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A+T Microphone Info

#1 Post by jstenner »

Descriptions for each of the Art + Technology Microphones
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jstenner
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AKG C1000S

#2 Post by jstenner »

AKG C1000S
akg-c1000s.png
The C1000S cardioid/hypercardioid condenser microphone has been specifically designed for professional live, recording, and broadcast use with vocals and instruments. You can power the microphone either from external phantom power (9 to 52 V to IEC 61938) or use two AA batteries and connect the microphone directly to a mixer, recording device, etc.
c1000s_mk4_manual.pdf
AKG C1000S Manual
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Aquarian H2A-XLR

#3 Post by jstenner »

Aquarian H2A-XLR
aquarian.jpg
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The H2a-XLR hydrophone is designed to work with any PA system or recording device that offers a balanced, phantom-powered, microphone input. It uses the same low-noise, robust transducer assembly as our other hydrophones, but includes a low noise internal buffer preamp. Operation is very simple: just plug in and use. No additional power supply or proprietary preamp is required.
H2a_XLR_manual.pdf
Aquarian H2A-XLR Manual
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Audio Technica ATR55 Cardoid Condenser Microphone

#4 Post by jstenner »

Audio-Technica ATR55 Cardoid Condenser Mic
atr55.jpg
The ATR55 offers intelligible reproduction for close-, medium-, and long-distance pickup. In its “Tele” range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras.
atr6550_user_manual.pdf
ATR 6550 User Manual (newer model replacement)
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RØDE NTG-1 Shotgun Condenser Mic

#5 Post by jstenner »

Rode Condenser (NTG-1)
rode-ntg1sm.jpg
The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone. In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
ntg-1_product_manual.pdf
Rode NTG-1 User Manual
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RØDE VideoMic Pro

#6 Post by jstenner »

RØDE VideoMic Pro
rode-videomic-proSM.jpeg
The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is a high resolution 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels). A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

An innovative suspension system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. A lightweight and flexible yet robust multi-strand cable provides significantly lower noise transference than traditional audio cable while ensuring a high definition signal.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.
videomicpro_user_manual.pdf
Rode VideoMic Pro User Manual
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Sennheiser Camera (MKE 400)

#7 Post by jstenner »

Sennheiser Camera (MKE 400)
sennheiser_mke_400.png
Very compact shotgun microphone for cameras with a lighting shoe mount and external microphone input. Maximum side noise rejection. Rugged all-metal housing.
MKE400_Instructionsforuse.pdf
Sennheiser MKE400 User Manual
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Sennheiser MD46

#8 Post by jstenner »

Sennheiser MD46
Sennheiser MD46 Info
Sennheiser MD46 Info
High-quality dynamic cardioid microphone for rough use in live reporting and broadcasting environments. Especially tuned for interview situations. Special design avoids wind and handling noise problems. Metal housing.

Omni microphones tend to pick up everything equally, including background noise. The MD 46 cardioid interview mic focuses on the subject, increasing clarity while reducing background noise. Designed to deliver low handling and wind noise, and to eliminate vocal popping, this microphone gives the ENG team an ideal interview tool.
Sennheiser_MD_46_GB.pdf
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Sennheiser wireless

#9 Post by jstenner »

Sennheiser wireless
sennheiser_ew_100_eng_g3.png
Flexible ENG set for indoors and outdoors: EK 100 G3 adaptive diversity receiver, SK 100 G3 bodypack transmitter, ME 2 clip-on microphone, and the SKP 100 G3 plug-on transmitter that turns any XLR mic into a wireless one.
Sennheiser_WWEG3_Brochure.pdf
Sennheiser Wireless WORKING WITH
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Sennheiser_Set100PG3_US_INT.pdf
Sennheiser Wireless INFO
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RØDE NT55

#10 Post by jstenner »

RØDE NT55
rode-nt55sm.jpg
Like the NT5, the RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a 'pencil mic'. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

We have both the cardoid and omni capsule!!!
rode_nt55_s_product_manual.pdf
RØDE NT55 Manual
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